The best bit of this for me was inclusion of “Whatever Gets You Through the Night”, a great song that I had forgotten, that I really liked back in the day. The main problem with this is that it doesn’t seem to know what kind of film it wants to be. It purports to be John and Yoko’s story, but at times it really feels more like a checklist of key events in the late sixties and early seventies. I kept thinking, “Okay, now this is going to happen, and now he’s going to go there,” and so on. Some actual exploration of character (even if not always accurate) would have made a more compelling film, but I don’t suppose that would ever happen while any of the key players are still alive. And including Lennon’s death in the story was cheap; they should have ended it sooner.
However, nice to see it as part of Capaldi’s retrospective. His Harrison was nicely done.